|
Greetings!
Hope all is well with you. Thank you for your continued intrest
in reading this newsletter, and welcome to those recieving this
for the first time. the "dog days" of summer are here (I know
I can say this because everyone on my mailing list at this time
is from North America). I hope that you are having an enjoyable
summer. Things (gigs) slow down a little bit this time of year,
but not much. Perhaps you can make it to one of the performances
listed below. Now about this month...
| Jazz Performances and Piano Entertainment Concerts |
 |
|
I'm reminded this month how blessed I am for the Sullivan's
gig. It is invaluable to collaborate in artistic expression
with great artists. Some of you have, over the weeks and
months, stopped in to visit. I'm sure that you'll agree
that something out of the ordinary is going on there. Jazz
duos at Sullivan's continue this month (with Burce Kaminsky
on bass) on all Tuesdays and a couple of Saturdays. This
month also finds me with Bryan Clark at Dover Downs, and
at the Downs Cultural Center in Wilmington, De. Click on
the link below for more info.
|
| Church Sponsored and Christian Music Concerts |
 |
|
This month we take a breather. My lone event in this catagory
is a concert featuring vocalist Tim Dove at the Chestertown
(Md) Church of the Nazarene, in which I accompany. Much
is happening, though. You'll see some of this reflected
in the Future Highlights section of the performance page,
including a "He's Steppin" Out" concert in Upper Marlboro
Md on Sept. 16. Over the coming months, expect to see a
lot more.
|
| What it's all about |
 |
|
There are moments of clarity from time to time; epiphanies,
perhaps, that shape our thinking and course of action thereafter.
One such moment where (I believe) God was at work in shaping
my understanding was in an unlikely place: the Showboat
Casino in Atlantic City. Another story altogether could
be told of how I got there in the first place. Suffice to
say; there I was, in 1993(?), playing solo stride piano
6 days a week (for about 6 months) in the hotel lobby. You
could say that I (my station) was the "musical welcome station"
where many made their initial entrance into the building,
and encountered their first taste of the atmosphre they
would find. At the time, the Showboat engaged dozens of
entertainers, many of them full time. Strolling ukelele
players, clowns on stilts making baloons for children (it
was a full service hotel complete with multiple restraunts
and a bowling alley), 6 piece dixieland bands (in three
shifts), and more worked to create a theme park atmosphere
that attracted many people, especially seniors. One gentleman
stands out. He was often one of several (sometimes many)
who would gather around the piano, for a time, for a sing
along. My attitude when that happened was "oh great! so
much for enjoying myself, I hope it's over soon", while
trying to put on a good face and acting like that's what
I was there for. Time playing for "sing alongs" was time
taken from the creative playing I wanted to do (or so I
thought).Then. one day, as I was watching this gentleman
and the pleasure he was having, it hit me. He made the bus
trip to the Showboat because he was seeking out a particular
atmosphere and experience that cannot be found anywhere
else nearby, of which I (at that moment) was the provider.
I was there for him (and all like him), not me. All at once,
this man's smile, indicating his pleasure in the moment,
became most important. It told me that I was lifting him
up, that I was doing my job. The "sing-alongs" suddenly
soared from inconvienences to be tolerated, to being the
highlight of the gig. What changed? Not, as some would accuse,
the level or depth of the presentation, but rather the attitide
of it's delivery. We ought to be making music (and everything
else) for the benefit of those around us. This does not
mean a cheapening or dumbing down, or a lowering of artistic
integrity. It does mean that we put on an attitude of servanthood
(love) to others. Rather than being mutually exclusive;
creativity and "loving your neighbor as yourself" can form
a union which God blesses. I've been told that the more
I grow in artistic creativity, the more I "diminish my audience".
My experience has taught me otherwise.
|
|
|
Product in focus
|
|
|
|
This month's product in focus is last months's sequel (is
this a soap opera? reality tv? my own personal sit com?).
I'm off to a grand start here. In last month's newsletter,
"Norman Satchell plays Bill Hollis" was the featured recording.
"Expressions of Love" is, essentially, volume two. This
recording is another collection of Bill Hollis tunes (although
there are no plans, to my knowledge, for additional volumes,
there is suficcient material (Bill's original compositions)
for several more). In last month's product in focus (Norman
Satchell plays Bill Hollis), you may have gathered that
Norman's decision to add electronic percussion (after the
fact) was not my favorite facet of the project. As soon
as he began making noises about hiring me again for the
sequel, I connected him with drummer Paul Midiri (at the
time I was working extensively with the Midiri Brothers).
Norman was happy to engage him also, so then we were set.
This, like the first,was recorded in components, the difference
being that, instead of electronic percussion being added
last, Paul was brought in. He completed the recording in
one very productive session. This is not the ideal way to
record a rhythm section, but studio and other limitations
necessitated it. Much of the time you can't tell (and now
you have the inside scoop). Like last month, if you like
easy listening jazz, then you'll enjoy this one.
View product page |
|